From music videos to corporate brands, Sayou Tequah Jr. is setting new standards in Liberian videography—forcing others in the industry to either level up or get left behind.
In Liberia’s bustling entertainment scene, where talent continues to rise from every corner, one name has begun to echo louder than most, Sayou Tequah Jr. He is no longer just a promising young videographer; he is fast becoming the yardstick against which others are measured.
Armed with a blend of journalism, IT expertise, and unshakable passion for cinematic storytelling, Sayou has mastered the art of capturing more than just visuals, he captures moments that speak before the video even plays. His work, defined by sharp directing, clean editing, and flawless color grading, has made him a standout force not only in Liberia but across the region.
From producing for Liberia’s finest artists like Stunn, Anitram, Fluxii, Giftii Blaq, and Bucky Raw to collaborating with international icons like Tamba Hali, Sayou’s portfolio is nothing short of explosive. He has also earned the trust of powerhouse brands such as GT Bank, Relumae Liberia, and CSE Records, solidifying his position as a go-to creative director for both music and business visuals.
Recently, he was spotted at MTV Base in Nigeria, working alongside artist El Drez on the buzzing track YaYo, a project co-directed with Parashot that has fueled chatter beyond Liberia’s borders. This leap marks yet another milestone that many in the industry can only dream of.

And yet, Sayou is far from slowing down. His latest project, Still Me, featuring Bucky Raw and Gaftii Blaq, has already pulled in 13,000 YouTube views in just 10 days. Directed, shot, and edited solely by him, the video has drawn applause for its crisp storytelling and immersive visuals. It’s no wonder that Sayou has become a constant contender at the MLMA awards, walking away with trophies while consistently competing with the very best videographers in the country.
But perhaps what makes him even more formidable is his relentlessness. For Sayou, every project is an opportunity to outdo himself, and, by extension, to raise the standard for everyone else. In an industry where videographers often recycle styles and depend on trends, Sayou stands out for pushing boundaries and defining new benchmarks.
The message is clear: in 2025, if you’re a Liberian videographer and you’re not stepping up your game, you risk being left behind. Sayou isn’t just making videos; he’s building legacies, shaping brands, and setting the stage for Liberian visuals to compete globally.
At this point, the question isn’t whether Sayou Tequah Jr. is a rising star, he’s already shining. The real challenge is: who in Liberia’s video production industry can keep up with him?